Stitching with a Shimmy

Shimmying through life with needles and thread…
March 4th, 2010

Another Finish – Candlewick Pillow!

CandlewickPillow

The pillow in question

As I mentioned a couple of weeks ago, I have a phobia about REALLY finishing needlework. I’m working on it. But I’m always terrified (and it really is terror) that I’m going to ruin a piece of stitching that I’ve spent hours and hours working on. If it entails more than just lacing it to a back and sticking it in a frame, I freeze.

But I’m taking it gently. I have several pillow designs that I want to release this year. They’re going to include finishing instructions as well as the needlework design. (There, I said it!) So I’ve been trying to get myself to finish the pillows I have half finished around the studio so that I can do it.

I started with this candlewicking piece. I got the kit at a garage sale for about 25¢. The stitching was finished in about a week other than the three months I spent trying to find enough thread that matched for FOUR knots after I ran out. Candlewicking thread is NOT all the same. Ick. But I found it, finished the stitching three years ago and put it in my “Finished Objects to Finish box.” (As usual, click the photos to enlarge for more detail!)

The "scary" zipper... Not so scary after all!

The "scary" zipper... Not so scary after all!

Last week I dug out my Singer Sewing for the home book that my heart-sister the former interior stitcher recommended, teased the instructions out of three different areas in said book (not the best organized, but really good instruction!) and to paraphrase Nike, “just did it.” I’m pleased. I’m not completely happy with the zipper, which I wanted because we always have pets and cats like to bring up hairballs right where you don’t want them: In other words, the pillow cover NEEDS to be washable! But it’s more than serviceable. I’ve made a pillow form for the crazy quilted pillow I posted about ages ago, and now I just need to attack it with the black backing, black zipper and the same book. I figure by the time I get to the models, I’ll have enough stitched that I’m not QUITE so terrified any more.

October 27th, 2009

My not-quite-a-UFO pile – Acorn Sampler

Also back in my not-quite-a-UFO pile, we find the Acorn Sampler kit from The Drawn Thread. This was a fun little piece to stitch, and I’d really like to hang it on my wall, so I should probably get around to finishing it and getting the hardware for it. It’s white and colored work and a variety of stitches throughout the band, including some pulled whitework. It came with the cutest little acorn charm for the bottom!

As usual, click for the full picture and details!

September 8th, 2009

So many Kinds of Needlework…

And so little time to play with them!

Just offhand, I can think of bargello, berlin, broderie anglaise, hardanger, mountmellick, stumpwork, cutwork, punto in aria, zardozi, bunka, japanese embroidery, wessex embroidery, counted cross stitch, band samplers of every ilk, canvaswork, goldwork, shisha, macramé, blackwork, or nué, crewelwork, schwalmwork, Dresdenwork, Assissiwork, and so on…

My problem, of course, is that when it comes to thread I am a glutton. I want to learn everything and try every technique, no matter how complex. Of course, this isn’t feasible, especially when you realize that I include all thread work in that desire – including knitting, crochet, bobbin lace, needlelace, sprang and any number of other techniques that escape me at the moment, including plain sewing. (I have made a conscious decision NOT to try naålbinding — knitting on TWO needles was confusing enough for me. I don’t really want to try knitting with only one, however historical it is. :)

There isn’t, of course, enough time in the day to explore everything I want tot do. I try not to let that stall me, and just keep going. I do find myself back at three in particular that I love: cross stitch, silk shading, and crewelwork. I’m sentimental, and these are the three that my mother and grandmother taught me. Somewhere I still have my first cross stitch sampler — the one that took me four years to finish because I kept getting bored. When I find it I’ll post it. I have some sort of idea of charting it (it was stamped on cheap muslin) and doing it again in my current ability level and then framing them side by side. I think it would be cool. Will I make the time? Who knows.

March 25th, 2009

German Medieval Whitework: Opus Teutonicum

I fell in love with Opus Teutonicum, or “German Work” back when I was active in the SCA.

Generally worked in white on white linen, I love the way the various filling stitches show up against the lightweight ground.

I don’t have permission or any personal photos – while I love the style it’s actually one of the few I’ve never tried to do on my own.

If you’re interested in seeing it, though, I highly recommend the following sites. Good photos, including close-ups and good information about trying it.

Opus Teutonicum on Historical Needlework Resources

West Kingdom Needlework Pages – Whitework

February 16th, 2009

Ivory Embroidery…

As I’ve noted here before, I collect historic needlework books, including the facsimile editions of Weldon’s practical needlework that Piecework put out several years ago.

In these volumes (and in the early 20th century Weldon’s Encyclopedia of Needlework that a friend gave me) is a canvaswork style they call “Ivory Embroidery.”

Weldon’s says, “The work is known as ‘Ivory Embroidery’ fom the fact that its being entirely executed in white, at least as far as the filings are concerned. Silk is used in preference to cotton as being more glossy, and filoselle is more useful than any other make, as being readily splet and used coarse or fine to suit the requirements of any particular portion of the pattern.”

It goes on to describe various canvas stitches – mosaic, byzantine, etc. that we use in modern needlepoint. They never mention if you stitch the background: indeed some of the partial patterns they show indicate that you might not…

It sounds absolutely beautiful. But I’ve got a problem. When it talks about designs, it says they are available for sale. there is no image of a finished project (at least not that is easily interpreted.) I haven’t been able to find a clue as to the type of design considered suitable in the day. (Or that nagging question about background, either). In addition, the only reference I can find for this type of work is IN Weldon’s. No one else seems to talk about it, nor have I found even one extant example.

Has anyone seen an actual design for one of these? Or an extant example you can point me toward? I’m fascinated by the idea and I’d really like to see an original.