Stitching with a Shimmy

Shimmying through life with needles and thread…
December 10th, 2012

Let’s Talk About Needles – Part 4

What Needle to Use When – Surface Embroidery

Note: Let me just get this right out in the open. I hate this term for the kind of stem & satin stitch embroidery found on tea towels and pillowcases. I also hate “free embroidery”.  Embroidery is a blanket term  – for example, all cross stitch is embroidery, but not all embroidery is cross stitch. Really, this is “crewel work” done in cotton rather than crewel wool, and often on a much finer scale. That said, I don’t like that definition either. So I stick with the traditional term. If anyone has better ideas, I’d love to hear them!

Surface embroidery isn’t counted. Usually a pattern is traced onto a piece of fine-weave fabric – muslin, a tea towel, a piece of silk or broadcloth – and then the design embroidered on top of this “cartoon.” (Yes, cartoon IS the technical term for this drawing, whether it’s cartoony or not.)

Because of the generally high thread count and tight weave of the fabrics used for this type of work, a sharp needle is imperative. These needles have a wider eye so that threads can be drawn through easily, and are called embroidery, crewel, or chenille needles. Embroidery and crewel needles are two terms for the same needle type. Chenille needles are larger and were originally created for stitching silk chenille threads (chenille is French for caterpillar) which is fuzzy and thick. Chenille needles are about the same size and shape as tapestry needles, but have a sharp point.

The same rule of thumb for choosing needle size holds as for counted work. Especially if you are working with silk or wool thread, the fuzzing and breaking issues can become especially difficult if your needle isn’t big enough (working with a shorter length of thread is also helpful).

So, again with the starting point table. Remember that the only perfect needle choice is the one that works for you and your stitching style!!

Surface Embroidery (including Crewel) Needle Chart

Type of Thread # Strands Needle Size & Type
Silk – filament 1 Crewel 8-10
Silk – twisted 1-2 Crewel 8
6 strand cotton 1 Crewel 8
2 Crewel 8
3 Crewel 5-6
4 Crewel 4
5-6 Crewel 3
Crewel wool 1 Crewel 3
2 Crewel 3
Tapestry Wool 1-2 Chenille 22-24
Rug Wool 1 Chenille 18-20
Sock Yarn 1 Chenille 20
Worsted Knitting 1 Chenille 18
Laceweight 1-2 Crewel 3
Perle Cotton #5 1-2 Crewel 3 or Chenille 24
Perle Cotton #8 1-2 Crewel 3 or Chenille 24
Perle cotton #12 1-2 Crewel 3

Want to read the rest of the series?

Let’s Talk about Needles Part 1 – General
Let’s Talk about Needles Redux Part 2 – Size
Let’s Talk about Needles Part 3 – Counted Work

May 10th, 2012

What I’m Up To…

tramatina1.jpg

I always feel like I need to keep to a strict schedule on the blog, and then life happens and I fall off the wagon. When this happens, I feel like I’m disappointing you, and me as well, since I love the communication we have through here!

If/when I take a day job (which is looking more and more likely every day), this is only going to become worse. How can I write for others, write for me, update my shops and still crank out designs? Eesh! It’s overwhelming. And don’t forget, teach dance, workout and dance for myself in there!

And yet there is this inner need for schedule. For consistency. For putting very specific types of posts on specific days. It’s like these days my overly logical side is in a tug of war with my creative side – and I can’t get either to put down the rope and work together. Heh. My inner world is a lot like the US Congress!

So for now I’m going to try to ease back into blogging – and TAST, for that matter. The TAST weeks where I managed to stitch improved my creativity immensely, and that’s a good thing. I’m not going to fret if I can’t keep up every week though.

I am going to try to keep up with the Thursday posts about what’s on the design table or embroidery frame, however. That’s the kind of thing I really want to keep sharing with all of you, and your feedback makes my week!

That said, stitching relieves stress. (Unless you add business stress TO your stitching!) Here’s an article a friend passed on to me about how more people are picking it up and why.

Enjoy! (And go stitch something!)

April 9th, 2012

First Stitches, Current Stitches…

My First Sampler

The image to the left is a stamped sampler that my Grandmother put on muslin for me and used to teach me how to stitch. Cross stitches and stem stitches. It took me 3 years to complete (I’ve never had a long attention span). If I recall, the only reason I DID complete it was that my mother wouldn’t let me start a crewel project to go with the one she was doing until I’d finished “the last thing you started and didn’t finish.”

It’s stitched in JP Coats variegated floss. Pink, blue and green. I started it at age 6 and finished in 1975, age 9. (And in true Romilly fashion, I didn’t put the starting date on it… who wants people to know how long you took to finish something?! In this I haven’t changed.)

Rechart

Last week I took the time to do something I’ve wanted to do for a long time. When I found it again in our storage room, I pulled it out, charted it, and stitched it on 28 count Cashel. I considered stitching it over one just to be annoying, but decided that was a bit of overkill. The new version? Charting + stitching = done in one business day.

The original is about 8 X 10 inches, and the restitch is about 4 X 5.

If you know where the original stamped design came from, I’d love to know. And if I can find that out, I might be tempted to ask permission to release the chart as a freebie for anyone else who wants to stitch it. (It’s possible that the original is actually out of copyright at this point: it WAS from my Grandmother’s box, but it could just as easily be out of a McCall’s magazine from 1969! It would make a lovely first project for an older child on 8 or 11 count aïda cloth with 4 strands of threads – in their choice of colors. I know I picked out the three colors on the original sampler. In the new one I used the new DMC Color Variations instead of the standard variegated, and I do like the result.

I think I’ll have them framed side by side in a double-opening mat. :)

 

February 9th, 2012

A Finish Unrelated to Golden Circle!

ABCDeco Cross Stitch

Click to make bigger!

I finished the ABC Deco piece from Broderie.net last week. Even though I actually started it in January (bad Romilly), I’m claiming it as a success in my goal to clear out (preferably by finishing) all of the WIPs that aren’t my designs! I’ve been a bit obsessive about this one, working on it in the early mornings before I go upstairs to the studio. Since I didn’t have a floor frame for it, I used the sewing method, and I have the holes in my middle finger on the right hand where I push the needle to prove it. I only added the thimble after I kept hitting the hole! Again, bad Romilly.

If I can get this obsessive about some of the other work in my box, I’ll have it cleaned out in no time!

And if I can get this obsessive about Tramatina, I’ll have a huge sampler chart available for all of you sometime this year – or at least by next year’s Nashville show!

In the meantime, my model stitcher is working on a square/pillow design from some of the motifs found in Tramatina.

January 3rd, 2012

Happy New Year! And TAST…

So today is the first day of TAST (Take a Stitch Tuesday on Sharon B’s Blog). Which actually means that the stitch choice was posted last night (she’s in Australia) and I won’t be posting my results until NEXT Tuesday. Kind of hard to post something that isn’t stitched yet!

But Watch this Space! :) I am determined to take this opportunity to experiment and expand my design abilities…

Join us! (This week is Fly stitch).

Sharon has also updated her Squidoo pages on Hand Embroidery and on Needlework Samplers. Some very interesting links there!