Stitching with a Shimmy

Shimmying through life with needles and thread…
February 27th, 2012

Monday Treasure – Elmsley Rose

Elmsley Rose - Sampler

I don’t think she knows I’m about to do this, because I think she lost my request in a stack of spam in her email box! ;P But her new blog has a “borrowing” permission note on it, so I’m taking her up on it.

I first found Elmsley Rose when she began the historical embroidery sampler displayed above. Despite her claims to be just beginning in embroidery, her work was clean, well-designed, and gorgeous! It’s only gotten better.

Calligraphy

It turns out that she started out in medieval illumination and calligraphy, which is my background, too, so we have that in common as well. Might be why I like watching her stitching so much!

She’s in the process of revamping her blog site right now, but it’s still well-worth a look. And well worth following as it develops.

The main site is at http://elmsleyrose.blogspot.com/. The photos link to the original post categories.

 

December 23rd, 2011

Crewel Sampler – Motif #3

The third motif on my ongoing crewel sampler is Crewel flower in Appleton Woola design from the Anchor little book of Crewel, called “Blue Bee.” In my case, it could be called “Turquoise Bee,” as I was using all appleton wools and found that I didn’t have ANY of the color types used in the origninal design.

The design in the book was stitched with Anchor cotton floss. While it gives it a nice, smooth, shiny look, I tend to not call it crewel. The defining word for me with crewel work is wool, which is apparently whence the word crewel derives! So while the design done in floss is pretty, I don’t call it crewel – it’s what I’d call “freestyle embroidery.” It’s a nit, I know. But I live in a world where nothing has the same name between two people — both embroidery and bellydance use different terms for the same stitch or move. It drives my ordered brain nuts!

CloseUp of crewelAnyway. The color scheme I ended up with was dependent on the colors I had in my box in Appleton. In this case, golds and pinks rather than golds and oranges. Luckily the pinks have a very yellow cast to them, and actually blend pretty well with the gold, which surprised me. Learn something new with every sample! The turquoise is a little bright for the rest of the colors, but it’s not TOO horrible.

The sampler was focused on the basque stitch – which makes an interesting twisted chain-like spike. The outside of the flower to the right is done in this stitch, as is the center of two of the leaves. Quite pretty. I’d never actually done this stitch before, and I found it a bit tricky, especially to make the loops all the same size and avoid tightening the stitches too much. Combined with the fuzzy Appleton wool, well, I had a few issues!

Crewel closeup 2Even close up the gold and pink don’t look too bad – maybe even pretty good together!

I think it came out pretty well!

Next motif – floss silks and “Society Silk” motif – yes, I know it’s my crewel sampler. But it’s mine, and I’ll play as I like! :)

Have a wonderful Christmas, if you celebrate it!

December 9th, 2011

Crewel motif #2

Overdyed butterflyI can’t remember where the drawing for this motif came from. I’m not particularly happy with the results of the color choices. It was stitched in hand dyed wools, and the transitions melded in a way that became less than coherent. I think if I were doing this motif again, I’d use standard colors, so that I could balance the wings better.

I’d also probably do it in silk or metal thread work rather than wools, but that wasn’t the point of this exercise! :)

I AM pretty happy with the stitching, however. As usual, click to enlarge.

What I don’t think I’ve mentioned is that this piece of fabric is a piece of IL019 linen from Fabric-Store.com in white. I rather like it. It’s a medium-weight linen that I’d be happy to use for shirts. I also like their heavier-weight  linens for skirts and things like the great Shower Curtain project. Which fell off the radar this year, but I intend to transfer to the fabric in January. It’s not high on the priority list, because the bathroom it’s intended for low on the renovation list in the house. I should really be doing the work for the upstairs guest bathroom instead, but it’s not as interesting to me at the moment… maybe I need to rethink the design and technique for that one…

December 6th, 2011

Crewelwork Sampler Motif #1

Art Nouveau motif

Click for a closer view!

This sampler really IS a sampler in the true sense of the word. It’s a place where I play – I don’t worry too much if my stitching is perfect, though I work to improve it. I don’t worry if the colors end up “going,” even failures have something to tell me, and the fact that they are stitched there for posterity reminds me of why not to do things that way again! This isn’t going to end up on a wall, it’s not going to end up in a gallery (at least not in my lifetime), but hopefully I’ll learn something good in the meantime, and later people can learn something from my fun and games. It *does* go to classes I teach with me.

The first motif on this piece of fabric is an Art Nouveau border from one of the Dover books. I worked it in Vineyard Silks Merino thread. I really like the threads from this company. The merino is soft and nice to work with, and the Vineyard Silk Classics are amazing (more on them later). The merino was designed for needlepoint – I think on 14 count canvas, so it is pretty thick to be working on motifs this small. I might use it again for a larger design that needed to be filled quickly. It’s got a nice hand, and a nice sheen when completed.

And I like my color choices here- the alternating pink/turquoise gives a little variety while still keeping a unified theme. This is a border pattern that I could see stitching around the hem of a skirt for spring or summer… but in a different thread, or in a bigger size.  We’ll see if I actually DO something like that with it!

As I recall, the motifs are about 2 1/2 inches tall (I’ve re-framed the work, so I can’t go measure it. I’ll try to remember to do it and edit this when I unlace it to move to a new motif!).

August 22nd, 2011

It’s been a sad week.

DaisyChain SamplerI know, it’s only Monday. The week in question was last week. It built up pain, and then ended on a sad note for me. It shoved my brain into a tailspin. I’ve got two friends right now going through some really nasty health issues. And then I found out that my fantastic model stitcher had passed away last month. Very very sad.

So I wasn’t in much shape to concentrate on anything in the way of stitching – especially things I have to think about, like cross stitch counting, or figuring out what stitch to put where or what color to put where in one of my own crewel designs. So I started DaisyChain ABCs by Posie, which also counts as a Monday Treasure! I fell in love with the pattern and ordered it when I saw it on the Spinster Stitcher’s blog.  She’s currently working on Needle Delight’s Aquamarine, and I’m fighting the urge to go buy a copy and start it, too, because it’s just so…. so… watery! (I’m winning this particular fight because it’s counted… and I’ve got counted projects galore right now!)

Because I just cannot do anything the way a pattern tells me to, I’m using the back of one of the EO’s dead dress shirts as the fabric – I love the color.  And since I don’t particularly like Appleton crewel wool because it’s so fuzzy, I replaced it with Renaissance Dying wool that I ordered from Hedgehog Handworks. Don’t go to that link — you’ll want everything on the site! (Don’t say you weren’t warned!) Otherwise I stuck with the colors specified, and the stitches specified. The only thing I’d do differently is use a slightly darker shade of blue – the blue in the “C” is very pale, and looks almost like the white in the “D” next to it.  And now that I’ve spent the weekend goofing off, I’m feeling much more coherent, and I’m back to stitching. The big blue thing now has a name – it’s “Chelsea” after my late model stitcher (she stitched the Alhambra model for me… I’m going to miss her). And I’m happy to be working on the Elisabetta sampler again. (Details of her, soon.)