Stitching with a Shimmy

Shimmying through life with needles and thread…
June 17th, 2011

Unknown Needlework…

1/2 of the Runner

Runner spread on my art table

Back months ago, when I bought the Society Silk Needlework piece at the local antiques shop, I also found another that I didn’t’ think I could justify buying. The EO had other ideas and we went back for it the next day.

I would really love some help in identification. It’s an interesting piece. I suspect it came from the same estate as the society silk, as the woman said the house had many many needlework pieces, most of which had been purchased on the owner’s travels through her life.

I’ve been through all my references, and although I can find similarities to this piece in many different locations, I can’t find enough that I can confidently say “this came from this area” or even “this was inspired by this area’s work…” I want to say Pakistan, Afghanistan, somewhere in that area… shisha mirrors, heavy flat silk on orange (faded) cotton…

Any ideas? Documentation sources you want to recommend?

In any case, it’s another very interesting, unique and striking piece, and I’m glad to have it in my slowly growing collection.

Closeups follow:

November 5th, 2010

Gold for Winter!

Pattern - click for full-sized printable version

I have decided that I need something small to work on – something I can actually complete relatively quickly while I wait for gold thread for the curtain. So I am digging out the little Jacobean pattern again and doing it in goldwork.

Want to join me?

The image to the right will enlarge to a full-sized gif at 300dpi. Sometimes this prints huge. If you need the actual 4″ design, you can click the following to download the PDF version. (You’ll need Adobe’s free Reader or something compatible to open the file.)

Jacobean Flower Pattern as PDF file

Note: When I stitch this, I plan on using the Chinese preference of a red thread rather than yellow for the couching threads. This accomplishes two things: first, it is still a traditional method of working couching threads, and second, it will provide a greater contrast for the photography so you could better see what I was doing. Feel free to use whatever color couching you want – even something contrasting such as green for the stems or blue for the petals can be effective!

Supplies

(I usually get my goldwork supplies from Hedgehog Handworks. Not affiliated, but a very happy customer!)

  • Japan gold or silver – size 5
  • Pearl purl in gold or silver
  • Check purl in gold or silver
  • Silk or cotton sewing thread in yellow or white (or red, or green for couching)
  • embroidery hoop – 6 to 7 inch diameter
  • 2 10 inch square pieces of a firm fabric – one for a lining and one that will show.
  • Scissors that can get dull without causing trouble
  • Embroidery Scissors

Always use an old pair or scissors or a craft knife to cut metal threads. Metal threads are either real metal or they are man-made materials. In either case, they are not kind to scissors. They will not only blunt them, but can also put nicks and grooves into the blades. Once you use a pair of scissors for metal thread work, they will never be the same for cutting threads or fabric. I have an old, cheap pair of stork scissors that are designated my “goldwork” scissors. They have a fob on them that lets me know they’re the ones I use.

September 20th, 2010

Stitch by Stitch

Cafe curtain - purple flowers and green/brown embroidered leaves

The beginnings of my cafe curtain!

Although there is a LOT going on right now between getting cross stitch designs ready for the Online Needlework Show, and pulling together a design kit that may or may not be finished in time for it and costuming and rehearsals for bellydance shows in October… I’ve still managed to get some test stitching done on the curtain that’s letting me try things out for the shower curtain. Much fun!

I am using Stroll Sock yarn from Knitpicks for the stitching. So far it has been wonderful to stitch with. It actually doesn’t stretch quite as much as crewel wool, and with the relatively loose weave of the ground fabric I chose has been a dream.  I’d forgotten how much I enjoy working on a large scale – the stitching fills up the fabric so much faster!

September 17th, 2010

I almost Forgot!

I finished the Crewelwork bird a while back!

Pretty pretty! Now… WHAT should I do with him? Suggestions?

His feet and leaf:

Click to enlarge.

September 13th, 2010

Transferring Big Designs…

Or, the benefits of actually reading your needlework library once in a while…

While working on the overhaul of the studio last week (I’ll post pictures in progress later – it’s actually coming along!) I was going through the bookshelves and happened to actually open and glance through one of my Erica Wilson books (realizing that I now have three different titles!). Anyway. In the midst of this wonderful old book (Needleplay) I found… instructions for transferring large designs for wallhangings.  It’s a method I have never seen anyplace else, and it worked like a charm!

In Sharpie, on net.

The gist of it is, use a permanent marker to trace your pattern onto net or tulle fabric (I used petticoat net, because the holes are bigger and the design was VERY large). Then lay or pin the net to the fabric, and trace the design again. I used the micron graphic pen, because micron ink doesn’t seem to bleed or fade when it gets wet…

It worked like a charm on the test pattern (which if it works will become the cafe curtain for the bathroom where the shower curtain lives.  The extra lines you see in the flower are there because I tried to trace it using a window/light box first and failed miserably, despite the fact that you CAN see through the fabric, it just wasn’t working for me. The design transferred beautifully using the net, and I will use it for the shower curtain! Hurrah for no tracing, AND no prick and pouncing!!!

Design on Linen

This is about 18 inches of the center of the design (it really IS straight on grain - the photo's slanted!)

Note: Because the net is nylon, while the sharpie that I used to trace the original design onto IT doesn’t bleed, the micron pen came off the net and onto my hands while I was tracing onto the fabric. I soon learned to use a piece of scrap paper over already traced areas to avoid this. (Old calligraphy trick.)