Stitching with a Shimmy

Shimmying through life with needles and thread…
December 23rd, 2011

Crewel Sampler – Motif #3

The third motif on my ongoing crewel sampler is Crewel flower in Appleton Woola design from the Anchor little book of Crewel, called “Blue Bee.” In my case, it could be called “Turquoise Bee,” as I was using all appleton wools and found that I didn’t have ANY of the color types used in the origninal design.

The design in the book was stitched with Anchor cotton floss. While it gives it a nice, smooth, shiny look, I tend to not call it crewel. The defining word for me with crewel work is wool, which is apparently whence the word crewel derives! So while the design done in floss is pretty, I don’t call it crewel – it’s what I’d call “freestyle embroidery.” It’s a nit, I know. But I live in a world where nothing has the same name between two people — both embroidery and bellydance use different terms for the same stitch or move. It drives my ordered brain nuts!

CloseUp of crewelAnyway. The color scheme I ended up with was dependent on the colors I had in my box in Appleton. In this case, golds and pinks rather than golds and oranges. Luckily the pinks have a very yellow cast to them, and actually blend pretty well with the gold, which surprised me. Learn something new with every sample! The turquoise is a little bright for the rest of the colors, but it’s not TOO horrible.

The sampler was focused on the basque stitch – which makes an interesting twisted chain-like spike. The outside of the flower to the right is done in this stitch, as is the center of two of the leaves. Quite pretty. I’d never actually done this stitch before, and I found it a bit tricky, especially to make the loops all the same size and avoid tightening the stitches too much. Combined with the fuzzy Appleton wool, well, I had a few issues!

Crewel closeup 2Even close up the gold and pink don’t look too bad – maybe even pretty good together!

I think it came out pretty well!

Next motif – floss silks and “Society Silk” motif – yes, I know it’s my crewel sampler. But it’s mine, and I’ll play as I like! :)

Have a wonderful Christmas, if you celebrate it!

December 16th, 2011

William Morris and Cross Stitch…

I’ve been doing a lot of reading and thinking about the Art Nouveau, Art Needlework, and Arts and Crafts movements recently. All of them are related, and William Morris and his daughter May feature predominantly in the fiber arts movements of the times. So what have I been thinking, other than I LOVE this group of related styles?

I’ve been thinking about thoughts. William and May Morris believed that Berlin Woolwork was a scourge on embroidery. Berlin woolwork, for those of you who don’t know the details was worked in very fine wool (often equivalent to 2-3 strands of our cotton floss in thickness), and was counted from a chart onto lightweight canvas in cross stitch. It often reproduced a piece of famous artwork, or just pretty pictures. Uh oh. This sounds familiar.  Could it be that this was just Counted Cross Stitch in wool? (Yup, it could. It is. It was.)

William and May Morris wanted to bring back what they considered the higher craft of “real” needlework. Crewel stitches. Design decisions on the part of the embroiderer. Silk threads. Embroidery that looked like stitch work and didn’t “just” reproduce a picture in pixel mosaic.

Now I’m not going to speak or type against counted cross stitch – I design the stuff, after all!  However, I was thinking about the book I gave away a couple years ago… “Art of William Morris In Counted Cross Stitch”. And then I got thinking about the cross stitch woolwork “reproductions” of Morris designs that are found as kits in the needlepoint shop (Beth Russell?)… and my thought?

I think William Morris is rolling around in his grave in despair.

And I’m laughing. Because embroidery techniques rise and fall in popularity. And while counted cross stitch has been very popular over the years since the 80s (partially because it really IS easy as these things go…) the freestyle embroidery stitches are coming back. Look on Craftster at some of the finished projects. Look at the popularity of Sublime Stitching. Look at the wonderful embroidery on the Ning groups: Hand Embroidery Network and Stitchin Fingers. These are good things. And we’re richer for the variety.

Try new things. Be a stitching dilettante!

December 9th, 2011

Crewel motif #2

Overdyed butterflyI can’t remember where the drawing for this motif came from. I’m not particularly happy with the results of the color choices. It was stitched in hand dyed wools, and the transitions melded in a way that became less than coherent. I think if I were doing this motif again, I’d use standard colors, so that I could balance the wings better.

I’d also probably do it in silk or metal thread work rather than wools, but that wasn’t the point of this exercise! :)

I AM pretty happy with the stitching, however. As usual, click to enlarge.

What I don’t think I’ve mentioned is that this piece of fabric is a piece of IL019 linen from Fabric-Store.com in white. I rather like it. It’s a medium-weight linen that I’d be happy to use for shirts. I also like their heavier-weight  linens for skirts and things like the great Shower Curtain project. Which fell off the radar this year, but I intend to transfer to the fabric in January. It’s not high on the priority list, because the bathroom it’s intended for low on the renovation list in the house. I should really be doing the work for the upstairs guest bathroom instead, but it’s not as interesting to me at the moment… maybe I need to rethink the design and technique for that one…

December 6th, 2011

Crewelwork Sampler Motif #1

Art Nouveau motif

Click for a closer view!

This sampler really IS a sampler in the true sense of the word. It’s a place where I play – I don’t worry too much if my stitching is perfect, though I work to improve it. I don’t worry if the colors end up “going,” even failures have something to tell me, and the fact that they are stitched there for posterity reminds me of why not to do things that way again! This isn’t going to end up on a wall, it’s not going to end up in a gallery (at least not in my lifetime), but hopefully I’ll learn something good in the meantime, and later people can learn something from my fun and games. It *does* go to classes I teach with me.

The first motif on this piece of fabric is an Art Nouveau border from one of the Dover books. I worked it in Vineyard Silks Merino thread. I really like the threads from this company. The merino is soft and nice to work with, and the Vineyard Silk Classics are amazing (more on them later). The merino was designed for needlepoint – I think on 14 count canvas, so it is pretty thick to be working on motifs this small. I might use it again for a larger design that needed to be filled quickly. It’s got a nice hand, and a nice sheen when completed.

And I like my color choices here- the alternating pink/turquoise gives a little variety while still keeping a unified theme. This is a border pattern that I could see stitching around the hem of a skirt for spring or summer… but in a different thread, or in a bigger size.  We’ll see if I actually DO something like that with it!

As I recall, the motifs are about 2 1/2 inches tall (I’ve re-framed the work, so I can’t go measure it. I’ll try to remember to do it and edit this when I unlace it to move to a new motif!).

December 5th, 2011

Monday Treasure – 18th Century

You all probably know by now that I love 18th century embroidery, although I don’t do historical recreations very much any more. This is an 18th century piece in the Metropolitan Museum of Art that isn’t the silkwork I normally gravitate to. It’s probably much more typically American than I might usually find when searching out this time period.

Done in woolwork, in Roumanian couching (a VERY American stitch, as it uses less wool), the design comes across as a bit rough and primitive, but is still absolutely charming to me.

It is part of a group that was stitched by “young ladies” at a school in Boston. I have no idea what age group “young” means in this context. The details are lacking enough that it could be anywhere from 8 to 15. I’d suspect, from the way the stitches are taken, that the stitcher was probably somewhere around 10. But it’s a guess. And an amateur guess, at that!