Stitching with a Shimmy

Shimmying through life with needles and thread…
March 6th, 2009

Old Crazy Quilt blocks…

oldquiltblock

That I forgot I had done!!

I was trying to pull stuff together to start embellishing those blocks for the Encrusted Crazy Quilt class… And found a block that I’d started and not finished a while ago. There were two little seams left to finish. So as a warm up to stitching the new one, I finished it.

It’s very simple as crazy blocks go, intended as a large pillow for the living room.  Made out of cotton decor fabric I was given by an interior designer from old samples (make friends — they give you WONDERFUL fabric!!) and embroidered entirely in cotton 6 strand floss, I think it will make a lovely pillow.  Detail photos below. Click any of them to view larger.

February 25th, 2009

Why you don’t Need to Draw to Design Needlework…

For years I designed little cross stitch designs, all the while claiming I couldn’t draw. And I still hold the belief that not drawing shouldn’t keep you from designing pieces you want on your wall, especially if you can’t find a designer who designs just exactly what you want.

Options for the non-drawing designer!

  • Make geometric counted work by making shapes on graph paper and repeating, rotating and connecting them. Yes, this is how I come up with some of my more elaborate pillow patterns, as well as my small motifs for my samplers.
  • “Specialty” stitches make nice band samplers, vertical, horizontal, and round on different fabrics, worked in squares or shapes, and so on.
  • Free embroidery can be designed from your own drawings, yes, but you can also combine sources of images from copyright-free materials, for example, Dover pictorial archives (royalty free), or other clipart. If it’s for personal use, you might work needlework from a coloring book page (note: be very aware of who owns the copyright of any image you plan to use on something to sell or display, whether it’s your stitching design or a finished object. If in doubt, write to the artist or the publisher or to be really safe, both, and ask permission. The worst they can do is say no or ask for a portion of the sales for royalties, and most artists are extremely friendly when approached politely. You might even make a new friend!) Personally, I still sometimes use the Dover series, especially the book and CD combos – the computer makes it really easy to copy, paste, resize, rotate, and otherwise mess with the image until it’s something I want to stitch.
    Note: Dover also will send you sample pages weekly of some of their pictorial archives if you sign up for them at the Dover Website click on Free Samples in the menu bar at the top.
  • The Dover and clipart method can also be used to create cross stitch by tracing the outline onto graph paper and then playing wth colored pencils to color in the appropriate squares. This takes practice, but actually is the same method I use with my own artwork when designing. This can also work with photos you have taken, and you can also use a program such as PatternMaker by Hobbyware, or PC Stitch to do this playing quicker, with DMC or Anchor colors, and then print a chart directly from the software. These programs will also take your artwork or photo and convert it directly into a needlework chart, but I don’t recommend that method – the design generated is usually huge, uses a huge number of thread colors one or two stitches at a time to visually blend the color in the photo. Basically you get a huge mosaic design that once stitched you need to stand across the room from to actually see the image. It can be an interesting exercise, it can be a nice starting point if you want to clean it up by hand, but I find that tracing the outlines and choosing my own colors produces a better product in the long run.
February 21st, 2009

Orange

I was right. Orange is difficult to find in spring in a way that *I* consider pretty.

There are a lot of construction flags. I was trying to avoid actually taking pictures of oranges or carrots. I didn’t manage it.  But here we go:

The orange sweatshirt on the construction guy with all the orange traffic cones in his truck:

First I felt the need to cheat and use the doodle I did on an orange scratch pad at work:

I resorted to photographing the ads:

I found the orange lid of the glue at the office:

Then I noticed that the book I’m knitting from has a great deal of orange in it:

And I finally resorted to food: oranges, and then noticed the baker’s chocolate in the baking cupboard of things I can no longer eat:

And I took a close up of the bag for the oranges because as well as being a beautiful deep orange, the texture was just so cool!

So. Did YOU find anything neat and orange this week? Trackback or post a comment so I can see, too!

Edited to add: Next week… Yellow!

February 9th, 2009

Color Experiments and Challenge

Over the years I have noticed a tendency I’ve had to gravitate toward a specific color set in all my work. I struggle with this and have always attempted to buy thread and try to design outside my comfort zone.

This does not always work. While I have used more yellows and oranges over the years, blue, green and purple still overwhelms them in my stash and work. And always will, I suspect. Sometimes I don’t even notice the other colors around me. Even the acrylic painting I started last week turns out to have a predominance of blue and green!

Do you wear this kind of color blinders, too?

Over the next seven weeks I’ve decided to challenge myself to find the colors around me. One week, one color, until I’ve worked through the whole rainbow. This week I’m starting with red. I’m going to try to take photos of what I find in my life in these colors as I go and post them here on Saturday morning.

Want to play with me? Post photos to your blog or flickr account and then post the link in the comments when I post my photos on Saturdays.

This will be a short week, since I’m just starting, but since this Saturday is Valentine’s day, RED should be easy enough to find around us.

Come explore our colorful world with me!

November 26th, 2008

Doodling in Stitches

I have, somewhere in my mess of a studio — a doodle cloth that I took with me to many of the classes I took at the Creative Arts and Textiles Shows (CATS, now sadly extinct).

They are, in a very literal way, true samplers. Moreso even than the ones I usually work on my own to play with patterns, colors and stitches. They are totally random, have no pattern to speak of, and have often been abandoned because of this lack of integrity.

stitchdoodle.jpgOver the years I have taken to focussing more on where I place stitches on this type of thing – and my doodle cloths are taking on a more coherent sampler-y feel. More, actually, like a colorful version of my pen and ink doodling – where I tend to attempt to make every stroke count as a basis/practice for larger abstract works. Not that the true samplers will ever look like those, though! But I find myself transferring the pen and ink to fabric and stitching them more and more as well, as in the photo. Maybe I’m just getting brighter again (or having a second childhood) whatever it is, I think I’m enjoying it!