Stitching with a Shimmy

Shimmying through life with needles and thread…

Archive for the ‘Threads’ Category

November 8th, 2012 by deRomilly

Let’s Talk About Needles…Redux

Stem Stitch Embroidery

The biggest issue I see with needles is size. People who stitch from kits often assume that the kit contains the needle they need to stitch the project. While this may be true in some cases, especially with kits created by the actual designer, often the needle included is either too big or too small for the fabric/thread combination provided.

With the notable exceptions of stitching through leather, paper, or vinyl, where holes are punched in the ground, you have some leeway in needle size. On woven and knit fabrics, it is better to err on the side of too large than too small. Let me repeat that, it’s an important point:

In general, it is better your needle be larger than necessary, rather than smaller.

I know, you don’t want to leave gaping holes in your fabric. If you choose your needle based on yourthread you won’t. Let me ‘splain. :)

The eye of your needle should be slightly larger than twice all of the threads you put through it.

So, if you are stitching with two threads, it should be slightly larger than four. This is so that the needle will push the fabric out of the way enough that the threads glide through the hole with minimal rubbing. Friction on your thread makes it fuzzy, which looks sloppy AND makes the thread weak and prone to breaking. Also, using a needle that is much too small can break the eye when you force all that thread through the tiny hole, either when threading the needle, or more likely, when trying to pull it through the fabric.

Fabric is flexible. Use a larger needle (within reason) and the threads of the fabric will snap back into place around your stitching. If they don’t, especially with counted work, you can gently stroke them back into place. Too small a needle and the threads and the needle’s eye are under too much stress and may break.

So if you have a kit where most is stitched with 2 strands, and a smallish needle, and then it calls for 6 strands and the same needle, do yourself a favor – walk over to your needle box or book and pull out one that’s a size or even TWO larger for that part of the stitching. You’ll be glad you did!

***

I didn’t realize there was so much to think about with regard to needles until I started thinking!

You can read Part 1 here.

Part 3 coming later!

May 25th, 2011 by deRomilly

FiberFest Results

Yarn closeup

Isn't it pretty?!

Last weekend I went to the Carolina Fiber Fest with some friends. It has been a long time since I’ve been to one of this type of event, and I’m afraid I forgot what the wool fumes do to me. For the most part, I was good, and didn’t spend a lot of money.

Unfortunately, I volunteered to teach my friends how to spin (Note to potential friends: Romilly is an enabler… you don’t want to shop textiles with me unless you want a new hobby, or a new toy to play with an OLD hobby…) And to do that, I had to have some of the same wool they were going to be using! :)

So I came home with five ounces of colonial roving. Pretty blue, turquoise and red.  It sat in my bag until Tuesday. Tuesday I broke down.

Same yarn, different angle!

More yarn shots.

I borrowed my friend’s new spindle – both of mine had yarn on them already… got to finish that! and I wanted to play with the weight on hers in any case so I knew what she could expect… it’s light.  And two hours of work later, I have a skein of 130 yards of fingering weight singles… I may ply it later, I might not… and a little bit more. And I still have 2/3 of a bag of roving to go! I think I’m going to have a new shawl next fall. What do you think?

*I* think it’s time to dig the spinning wheel out of storage and see what I can do with it.  I originally learned to spin with the intention of spinning my own crewel wool… Maybe I’ll pull that idea back out. Drop spindles are perfect for that, because you can spin a small amount of fiber pretty easily.  I’ll keep you posted as to how that works!

June 28th, 2008 by deRomilly

This and that…

I decided Thursday on a whim to actually sign up for Sharon Boggon’s new Studio Journal course at Joggles. Since I don’t have a lot of formal art training, I’ve always felt pressured by my sketchbooks… and that I shouldn’t be. So I’m hoping this will give me a new lease on them. I know just the little bit she covered sketchbooks in the Sumptuous Surfaces class helped immensely last year.

So. First week started Friday, and I’m already psyched about this. :) YAY!! This was a good investment for my art and my business, I think.

So Friday I went out to Michaels thinking maybe I’d get a new journal. Decided to use the one I’ve already got. Got the 2 skeins of DMC I needed to finish a sampler (Spots of Fun – by  Debbie Draper). I’m doing it all in one color of variegated thread.

Anyway, while I was at Michaels, I saw these little bobbins of ribbon in the ribbon section… Ended up buying 5 of them. They’re intended for scrapbooking and paper crafts. Ummm… if you say so. I’m going to stitch with them, of course. Pictures. Click to enbiggen:

june2008threads-001.jpgjune2008threads-002.jpgjune2008threads-003.jpg

I think my favorite thread is the one in the last picture. It has what seem to be little pompoms every 3/8 inch or so. And of course it’s in blue and lavender, which though I keep trying to expand my color schemes I seem to always come back to: blue, green and lavender. Oceans. Grin.

I’ll keep y’all posted on what I’m doing with it all! If I can actually get to my studio any time soon, that is!

February 26th, 2008 by deRomilly

Ikat – er – What?!

MargB of Maggie’s Textiles left a lovely comment for me on my last post about multi-colored threads. (It’s now available in pdf format on the Needlework Articles page, by the way.)

In the comment, Marg referred to an “ikated” design, a term I’d never heard before. I knew about Indonesian ikats – the lovely pieces of weaving used for sarongs and tubular skirts, in that I knew they existed. No clue about the process of creating them, though. And I didn’t know that it was a general weaving term.

While trying to track it down, I found several lovely sites on ikats in general — from the scholarly treatise about how the different designs relate to different social groupings in the islands found on asianart.com, to page upon page of photos of beautiful weavings. (Am I a horrible cultural appropriator for wanting access to some of these to use in my art and embroidery?)

The neat links included:

In any case, “ikat” refers to the way the warp or the weft (usually the warp, sometimes both) is measured, tied off and dyed before weaving begins. Marg says she sometimes used spaced dyed yarns to simulate this type of work, and her recent blog post about it explains in greater detail, with a photo of her own work as well…

February 19th, 2008 by deRomilly

Stitching with Multi-colored threads, Part 4 (conclusion)

2001-2008 by G. Romilly Mueller (Goodfellow) all rights reserved
Please do not reprint or post on your own site or newsletters without permission. Feel free to link to this blog.

Geometric Stitching (Hardanger, etc.) Techniques

Some of the same principles apply to stitching geometric-type designs, for example, any type of satin stitch.

For the example in Figure 12 (the chart is figure 13), I used one strand of Caron Wildflowers in the Nefertiti color, with the graph to the right (each grid line represents one thread of the fabric. This design works better on a linen fabric or other evenweave than on aida.)

figure12.jpgfigure13.gif

Play around with this one. Don’t be afraid to cut colors out of your threads. In the example in Figure 11 (last post), I did just this in several places around the outside “petals”. I wanted them green, and durn it, they were going to be green! (or entirely pink, for that matter…) On the other hand, I’m generally lazy when it comes to starting and ending threads, so they aren’t entirely green!

You can get completely different looks from the same color of thread by stitching the color in a different location on the chart.

Using a different color or type of thread to stitch the design will give you a completely different effect. It’s always amazing to me the difference that stitching the same design with Tropics instead of Nefertiti creates.

Conclusion

This article is just an introduction to some of the effects you can achieve with this type of thread. Each different type of multicolored thread, whether the evenly spaced variegated floss, or the random overdyed types has its own peculiarities. In a stranded thread, each strand will have the same color changes, so if you need a mirror effect, keep this in mind if you are using a randomly dyed thread.

The more colors there are in the thread, the more bizarre the “blended thread” techniques can look. But this might be just the effect you need. Remember to keep experimenting. Even the most expensive threads are relatively inexpensive when considered individually. The amount of pleasure gained from learning their tendencies becomes worth the cost when you create a project that is truly your own.

I hope this small discussion has made you more aware of the possibilities multi-colored threads have for your stitching. Remember, when you’re stitching, you always have the last word as to how your piece looks. If you like it, it’s right!